From the Editor: Nonprofits

Nonprofits.  My second job out of college was as a fundraiser for orphans in Latin America and the Caribbean.  Orphans.  It doesn’t get much more fundraisey than that.  Great work, great mission, good feelings.  Then, as I got older, I tried to stay involved with nonprofits even when I no longer worked for one—I volunteered, I promoted, and I donated.  Then, I lost my job.

Back in the summer of 2009, I had been working for a luxury architect and homebuilder. Talented and ethical bosses, they kept us employed longer than they should have as the industry tanked.  When the lay-off finally happened, it was the other shoe dropping.  We’d been waiting.  It wasn’t personal, it was business.

Plenty of folks run through the scenarios in their heads, “What would I do if I lost my job tomorrow?”  Many think, “Oh, I’d cut my cell phone.”  Cable TV, a vacation, eating out—those tend to be on the chopping block.  What I found was that I couldn’t live without many of those things; cell phones, internet connection, and eating out had become more integral to networking and business than ever before—especially when I had no physical presence in an office, only the green chair in my apartment in St. Paul.  I had to be present somewhere.  I had to keep myself out there and available.  People had to know what I was up to and that I was very employable.

This lasted two years.  Call it what you want; depending on the day, I’d say I was unemployed, underemployed, consulting, freelancing, and jobless.  The euphemisms were for when they mattered; they could be integral to interviews or when the ego was suffering just too much.  Sometimes, I referred to myself as jobless, simply to get the point across that it was a state of employment rather than a personality flaw. It was a big head game but I was usually winning.

Unfortunately, I’m certain that there is a multitude of people out there who can relate when I refer to just how psychologically taxing it is to apply for jobs that we’re both over- and under-qualified to perform.  Not getting interviews, not getting offers, not getting call-backs—it all chips away at the sense of self I had when I was “Director of” in my last few positions.  The arbitrary nature of the employment game became a subject of study for me.  There was no pattern to discern. There were no ploys or strategies that were useful as general application tactics.  All bets were off.  There were simply too many of us for too few jobs.

I didn’t lapse into a malaise.  Not really.  I had my moments, I guess, but I was fairly grounded in the reality that I just had to take things as they came.  I started as a statistic.  According to some people, I was a drain on society.  I was leeching from the government while popping bon-bons and watching daytime television (despite cutting the cable). I was balancing negative perceptions of the unemployed—as a group—while just trying to survive—as a single person.  I didn’t have to move home, thankfully, though it was always a welcome option (thanks to having awesome parents).  But, as I fell off unemployment insurance, exhausted COBRA, and became a more nebulous statistic that didn’t even count as unemployed, I was able to maintain a hold on my purpose and my hope.

How?

I volunteered.

One of the most eye-opening moments of my adult life was when I really saw how much better I had it than so many other people, even when my chips were down.  My unemployment check was more than most made working 40 hours a week, though it was a fraction of what I was used to making.  I didn’t do anything terribly special to deserve this status, I simply put one foot in front of the other and followed the path laid out for me: High school, college, job with benefits and a nice salary.  It was humbling, this privileged path.  And, it was hard to figure out what I could do about it.

As I was downsizing my life, I upsized my involvement.  I found communities that had no money and I helped.  I designed websites.  I developed campaigns for start-ups. I served on committees and groups.  I was the busiest unemployed person by virtue of my volunteering.  It kept me sane and it made me feel good.  And crazy.

I never lost my edge because of this volunteering way of life.  No wondering if I could still type 80wpm, no wondering if I could still handle the Adobe Design software, no wondering if I could develop WordPress websites with plugins and integration galore.  I had it.  And it prepared me for this job.  My portfolio grew.  I was still writing. Reunions happened and I co-chaired the committees.  I was open about needing a job at every post I accepted and every function I attended.

I had purpose.  A presence.  A place to be.  And I was needed.

As good as it felt to give of my talents while I felt like I had less than I’ve ever had, it still felt that much better to finally donate my first $5 to a nonprofit again after I got this job.  I’m only ten months into being employed again and the headgames are long over—I can do this job and I’m doing it well.  But the lasting impact of joblessness will be with me for a long time as will the lessons I learned.

What I found during my years of joblessness is that nobody can really give advice that would apply broadly to all—you can only pick and choose from what other people have learned.  Follow your instincts.  My instincts told me to get involved and help others.

And to keep heart.

With thanks,

Andy

Good Friday with Guster & Garlin

I got to spend Good Friday with my favorite Jewish guys from Tufts.  Ryan Miller, Adam Gardner, and Brian Rosenworcel have been in my CD player, on my iPods and in my heart ever since we were all around the same age in college when they hit it big with “Amsterdam” and “Careful.”  Little did I know that those two songs were just the tip of the iceberg.  With the addition of Joe Pisapia–and then the swap out for Luke Reynolds who’s with them now–Guster has only gotten more rounded-out and awesome.  And, in a venue such as the Pantages Theatre, we were in for a real treat.

As it turned out, we were in for an odd one.  I’m going to call it a “one-off.”  When they were in Minneapolis last year, the euphoria from the show carried me through until this one.  This year, there was more of an “aggresso-vibe” in the crowd, at least I think that’s what Ryan called in when I talked to the guys afterward.  Jeff Garlin was to be on stage with Guster and, for those of us who know him, we might’ve gotten a little tip-off that this wasn’t going to be your mama’s music show.  But, billed as it was as an acoustic show, I had hope that it’d be nicely segmented into comedy followed by music.  Jeff Garlin does a great roast.  Offensive, yell-back humor is his forté. Taken separately, Jeff Garlin is stinking hilarious just as Guster (with the addition of acoustic cello and violin) is harmonious.  Thrown together, it was more of a cacophony.

The crowd.  Oh, the crowd.  Talking to folks as the evening progressed, it was just plain confusing. From the start when the comic opening for Jeff Garlin got booed (it’s GUSTER…who boos at Guster?) to the end of the show when they sang us “Jesus on the Radio” without amplification, it was a wild ride. The comics did their thing, but the crowd reacted to the brash comedy by becoming a bit boorish and belligerent. The beer and booze went in, the din raised to a roar, and the control was never really regained from the stage.  Tweets and social networking posts seemed a bit low for the amazing music we were hearing–Guster was playing some of their early stuff that we rarely get to hear live any more, let alone with cello and violin…but we couldn’t hear it very well.  The jackass behind us who was “only there to spend time with his ‘mate’ and didn’t care about the music” had gotten himself a little too tipsy and his from-across-the-pond charm was wearing thin on everyone around him, but he would simply not shut up.  The whole quadrant of the main floor behind my right shoulder couldn’t have heard much of the show as the people who were yelling back at Garlin during his stand-up were still being obnoxious throughout the music set.  What could’ve been a great mix of hilarity and harmony just didn’t happen.

Frankly, the chemistry experiment went haywire.

I kept trying to get the pulse of the situation.  Tweets were saying stuff like it was the best show ever, but I don’t think everyone left with the same elated feeling as when we saw the Guster guys last.  It probably was the best show, but we just couldn’t hear it.  It was distracting to have Garlin on one side of the stage doing something while the musicians were on the other, playing music.  I get it that it was a new format and one that isn’t going to be permanent, but that was our one shot to get our fix.

After the show, I was nervous to meet the members of my favorite band.  Natch.  But, I was more nervous because I hadn’t shaken the ooky feeling of unease.  A Friday night with Guster should’ve been a sit-back, close-my-eyes, and let-my-toes-curl evening of just enjoying.  Instead, it just wasn’t.  As a member of the media, I got to ask the questions that were bugging me: How did they think it went?  What happened?  Why?

I got what I needed to hear: Validation.  I’m not going to over-process this and have some chai tea and ponder it for too long, but I just needed to hear that the night went sideways and it was not expected.  Ryan explained that since they didn’t have a new album to promote, they thought they’d mix it up with some comedy.  But that “aggresso-vibe” happened and, as he said, even the folks who could normally be calmed by the music weren’t coming back.

Believe me, Guster, from what we could hear of the amazing string additions to the old and newish songs we love, you didn’t need to mix it up any more than that.

Please come back soon.  Perhaps an Acoustic Redux?

See photo gallery:

From the Editor: The Business of Being Everywhere

Every once in a while, I’ve got to talk business.  The business of getting you the goods, the business of what we’re up to, and the business of enriching our community both here in Minnesota and on the World Wide Web.  At this point in time, Lavender is available via five platforms: print magazine, online magazine (on the web), online magazine (on the iPad), online magazine (on smartphones like DROID or iPhone), and the www.LavenderMagazine.com website.

As always, Lavender is free.

What may be confusing is what the differences are between the different platforms.  Do you want or need to go to multiple places? Do you need to check out the various platforms to get all the information?  Is there more than what’s in the magazine that you can pick up on stands?  The answer is yes.

Being a free publication, our print page count relies solely on advertising dollars.  It’s a business model that works–it’s one of the reasons Lavender’s been around since 1995.  But, because of technology, we can expand the page count of our online magazine to accommodate more material.  For instance, the last issue–The Wedding Issue–was bulked up to 92 pages in print…but exceeded 120 pages in the online magazine.  We use that platform to show additional photos, videos, recipes, and all sorts of pieces that don’t fit in the print issue.  The same advertisers are in both, but the ads are enhanced and clickable in the online magazine to be able to get to the websites of the companies that want you to know that they’re there for you.  Even better, the online magazine is viewable on any computer by simply going to the top of our website at www.LavenderMagazine.com and clicking on ONLINE MAGAZINE.

Voila.

More Lavender.

The online magazine is also now viewable not only as an iPad Newsstand delivery but also on smartphones like iPhone and DROID.  You can set up your iPad in Newsstand to automatically deliver the latest Lavender when it hits the internet–slick.  And, if you’re sitting around with time to browse on your smartphone, consider going to our website and clicking the ONLINE MAGAZINE button to scroll through the current issue at your leisure.  New and completely for you.

Lastly, the www.LavenderMagazine.com website is where it all aggregates–everything from the print issue, the expanded online magazine, and anything we report and post whenever it strikes our fancy.  Reviews and recipes and news and videos and everything that is relevant to the community both here and across the globe.  It’s split up into sections for sorting ease, but also it’s clear to see what’s been added to the website most recently by looking at the RECENT POSTS area at the top of the content.  The photos in the home page slideshow illustrate new stories as they publish and the fresh content is readily apparent.

We’ve seen great traffic in the recent months.  Since we revamped and started using our new website after the New Year, our stats are looking good and people are really starting to engage with Lavender as an online community platform.  People are showing ownership of the online calendar by adding events to it and we couldn’t be more pleased.  But, keep watching. More will be happening in the upcoming weeks and months to make our free content even more relevant and plentiful.

We can’t wait.

With thanks,

Andy

From the Editor: Reduce, Reuse, Recycle

Recycled glass helps carry a watery, seaside appeal in this bathroom. Photos courtesy of Castle Building & Remodeling, Inc.

Recycled glass countertops are an artistic and green way to revamp your bathroom.  Loren Schirber of Castle Building & Remodeling, Inc. gives it a green thumbs-up as a really cool product with a competitive price point.  Shown here as part of a bathroom vanity top, you can consider coordinating the vanity top with the drawer pulls and other fixtures–with a great breadth of colors, the possibilities are great.  For more photos, colors, and options, go to www.dakotasurfaces.com.